Daily Papers — 2026-10-21
3 papers on audio, speech, music, and acoustics.
1. Character-Level Prosody Control for Mandarin Speech Synthesis:An Architecture-Preserving Approach
Authors: Diankun An, Lu Ma, Yongliang Wang, Zhewen Su, Xin Tian
Categories: cs.SD | under review
This paper addresses fine-grained prosody control for large-language-model (LLM) based text-to-speech (TTS) synthesis of Mandarin Chinese, motivated by multimedia content-creation scenarios—film dubbing, audiobook production, and interactive voice interfaces—in which prosodic adjustments must be placed on specific characters rather than applied uniformly to whole utterances. We present a data-driven framework in which fine-grained prosodic markers (pitch, duration, energy, and pause) are automatically extracted from raw audio at scale and embedded into the text stream as out-of-vocabulary Unicode symbols. The LLM of an existing TTS system is then fine-tuned to interpret these markers while its architecture remains unchanged, yielding character-level temporal control that complements existing utterance-level style control. An optional text-LLM front-end can translate natural-language instructions into marker sequences. Experiments on 2.15M Mandarin utterances (5,858 hours) with CosyVoice2 as the backbone demonstrate reliable control of character duration, pitch, pause duration, and global speaking rate, with perceptual quality essentially preserved. A cross-tokenizer analysis further indicates that the ASR-optimized tokenizer of the backbone attenuates prosodic variation relative to reconstruction-oriented alternatives—an observation we report as hypothesis-generating evidence for prosody-sensitive system design.
2. EmoFI-TTS: Face-Conditioned Expressive Voice Synthesis with Intensity Modulation
Authors: Yejin Jeon, Luel Hagos Beyene, Marie Maltais, Hyounghun Kim, David Ifeoluwa Adelani
Categories: cs.SD
Controlling emotional intensity remains challenging in expressive text-to-speech synthesis, particularly when emotion must be inferred without explicit labels. We propose EmoFI-TTS, a face-conditioned framework that derives emotion category and intensity from a single facial image while extracting speaker characteristics from reference audio. Modality-specific representations are fused to condition a pretrained speech synthesizer, with cross-speaker training encouraging separation of affect and vocal identity. An intensity-conditioned refinement module enhances the generated mel-spectrogram, while interpolation of learned intensity embeddings enables continuous control without additional training. On speaker-disjoint MEAD evaluation, EmoFI-TTS achieves on average 64.4% and 75.2% objective and subjective emotion intensity accuracies, while retaining low word error rate and high naturalness.
3. HeyGen Voice: Scene-Aware Voice Cloning for Talking Videos
Authors: Pavel Andreev, Andrei Gusev, Adithya Narayan, Yi Ren, Ivan Somov et al.
Categories: cs.SD | 30 pages, 13 figures. Technical report
Most voice-cloning systems are built for audio alone: they copy the reference recording’s delivery and acoustics, so a voice cloned on a phone sounds like a phone recording whether the speaker is pictured in a studio, on a street, or in a cathedral. Speech for a talking video should sound like the pictured person speaking in the pictured place. We present HeyGen Voice, a scene-aware voice-cloning model that separates who is speaking from how and where: it keeps the speaker’s voice from an everyday recording while the target image sets the delivery and acoustics. Prior image-conditioned TTS does half of this job: it either adds scene acoustics without keeping a specific speaker or infers a voice from a face. HeyGen Voice is a multimodal autoregressive transformer conditioned on the image, speaker and scene captions, and the voice recording, trained in five stages that move from multilingual TTS pretraining through simulated and real cross-scene adaptation to reinforcement and preference optimization. Two clone policies trade scene adaptation against fidelity to the original recording, and an audio anchor holds long scripts in one voice and one acoustic environment. Listeners prefer HeyGen Voice over leading commercial systems across a third-party arena, production votes, and talking-video studies: it ranks first (Elo 1201) on the public Artificial Analysis controlled-voice TTS leaderboard (October 2026); in a blind test, users cloning their own voice chose it over ElevenLabs v4 and Cartesia Sonic 3.6 in 62% and 54% of votes; and volunteers rated talking videos of their own digital twin about 10 to 30 points higher (out of 100) when voiced by HeyGen Voice than by leading commercial alternatives. Try HeyGen Voice and hear samples at https://heygen.com/heygen-voice.